Maya Verlaak
About
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Vanishing Point
2022
for percussion and live electronics
Written for Joey Marijs
Commissioned by Ensemble Klang, NL
Recorded May 2024, De
Barthkapel
, The Hague NL
Conditions
2023
for ensemble & live electronics
Performed and commissioned by Ensemble Klang, NL
Recorded October 2023,
Korzo Theatre, Den Haag, NL
Whispers
2022
For piano and live electronics
Written for/and performed by Kate Ledger
Recorded September 2022, York, UK
Mutations
2022
Trombone and live electronics
Written for Thomas R. Moore
Recorded August 2022
All English music is Greensleeves – solo
2016
Performed by Kate Halsall
in Penrith, UK, June 2022
A Deviation for Approximation
2022
For 4 performers and electronics
or
For audience and 4 pedals
Commissioned by Post-Music (DE)
Premiered at KM28, Berlin, May 2022
Second performance at Grambacht, Mechelen, December 2023
Roulette
2020
for Electric guitar, piano and electronics
Commissioned by Ensemble Klang, NL
Popularity
2020
for Audience & electronics
Commissioned by Post-Paradise, UK
Formation de Sarah 2019
& Formation de Mark
2020
for solo instrument & Electronics
Written for Sarah Saviet and Mark Knoop
Available on
Another Timbre
See score
here
Hide&Seek
2019
for Ensemble & electronics
Written for Ensemble Interface, DE
Commissioned by Transit Festival, Leuven, BE
Sanding
2019
for piano on a beach
Written for Saskia Lankhoorn
Commissioned by Dag in de Branding Festival, NL
Prowess
2018
for 6 – 12 electric guitars
Commissioned by Ensemble Klang, NL
Song & Dance – An excessively elaborate effort to explain or justify
2017
Written for Ensemble Modern Academy, DE
Commissioned by Ulysses Network
Darmstadt Hugging Music
2016
All English Music is Greensleeves – Solo
2016
Written for Howard Skempton
on accordion
All Verlaak’s Music is Alouette
2014
Written for London Sinfonietta
Commissioned by Sound&Music, London, UK
All English Music is Greensleeves
2014
Written for Thallein Ensemble
Frontiers festival Birmingham, UK
Tape Piece
2012
Written by/for Andy Ingamells & Maya Verlaak
Released by Birmingham Record Company (2020)
Click
here
for more details